Snakes!January 9th, 2010
I was staying overnight at a house somewhere with a large group of people. There was one guy in particular that seemed to be in a bad mood. We all fell asleep and when I woke the next morning, a door to the outside was open and thru the door I could hear him cursing up a storm. He apparently owned a 70’s VW Beetle that he was working on while a kid was in the drivers seat trying to start it. The car wasn’t starting and he was really pissed off.
I suddenly found myself floating up a small river in an old wooden row boat with a cat on board. I had been floating for quite some time and to amuse myself, I had snugly wrapped my arm around and under the mechanism that would’ve held the oars in place had they been attached to the boat. We drifted toward the bank but before we actually reached it, the boat bumped into a large root system from a tree that had probably been dislodged further up the river during a storm months previously. As the boat settled against it, a snake that had already been on this large piece of wood sunning itself became perturbed that I’d disturbed it’s moment with the sun. What was worse was that my arms were still entangled with the oar holder and my hands happened to be positioned right where the snake was on the wood. The snake looked to be a corn snake so I wasn’t worried about death should I get bitten, but I was still not too interested in the prospect of being bitten over and over while trapped in this position with the boat. The first thing I did was to grab it behind the head with one of my hands, but because of my entangling predicament, I couldn’t grab it right where I wanted to and it was about ready to lurch and bit my grabbing hand, so… I distracted it with my other hand which was fa enough away from it that it looked at it as a threat. I continued wriggling my arms to free them and finally they let loose and I was able to throw the snake up onto the shore. With a sigh of relied I leaned back to thank whatever powers helped me to escape the snake’s bite when suddenly the cat jumped up on the shore to get the snake. I tried to stop it but before I could do a thing, it swallowed the snake up whole. I’m not even sure the snake could fit in this cat’s body, but the whole disappeared somehow. This caused me to wake from the dream.
I fell asleep and went back into the dream and I was back at the house. I had told this large group of people that I needed to show them something and it was important for me to show them something and persuaded them to follow me, especially including a female videographer. We walked along a dirt trail next to the river. There was a very old wooden fence; posts cut about 6×6, staggered every 8 feet or so with a couple of 4×4’s connecting them. Along the way were many shelves or boxes built into the fence. The videographer that I was having conversation with out of the blue mentioned that she was deathly afraid of snakes. I told her straight up that we were going to come across them but that she shouldn’t be worried, that I’d protect her. Sure enough, we came across snakes. Lots of them. They were all over the shelves and boxes, the further we walked up river. Then they were in the trees, on the rocks, on the shelves and boxes on the fence. There were corn snakes, gopher snakes, garter snakes, vipers, and what were either king snakes or coral snakes. I remember thinking to myself that I couldn’t recall the striping differences between the king and coral and was worried that I might have a big problem on my hands if someone was bitten. It was really amazing how many there were, must’ve been hundreds.
I reached a place on the trail where a few people were stopped and started to hold a ceremony. They had drums, herbs, and were dressed in ritual regalia. I commented that I could use a drum and beater because I was going to find out what sort of message the snakes had for us. A woman that was there handed me a beater and pointed out that I was already holding a drum. I looked at my hands and sure enough I was holding a drum that looked like an african talking drum with cowhide that was adorned with beads. I took the beater and the drum to a throne that sat in between two large rocks. I started beating on the drum asking for a message from the snakes. Immediately, I got this long sentence the explained some profound truth that bewildered me, partly from how sudden it came on and partly from the length of the message and it’s diabolical nature. I was so startled, I woke up again.
I was kind of flabbergasted that I’d received what appeared to be some important truth so I asked to go back into the dream again and get the message again. Shortly, I fell asleep again and immediately when I did, I got another message. Marc Andrew Dean.  I have no idea what that means or who that is.
Dream Journal | Comments Off on Snakes!
You know the kind I’m talking about where you give money to organizations who go to the front line in Washington to push a political agenda, many times trying to maintain a political right or uphold legislation. Currently, I’m speaking about the Hate Crimes Prevention Act, legislation for marriage equality, the restrictions on abortion arising from the new health care reform, big oil, preserving our national parks, preventing wolf slaughter, stopping quasi-scientific whale slaughter and dolphin slaughter in Japan’s coastal waters, etc. etc. etc. ad nauseam.
Although it seems like its a necessity to counter your opposition to make change, I also find it an annoyance that humanity hasn’t evolved to a place where we can act with less selfishness and rather more compassion on a whole. When I look at today’s problems, it’s the same old thing that you can read about in world history, dating as far back as there is recorded history. But what’s really getting me going right now is the fact that North Americans spend millions of dollars thru donations to non-profit organizations to defend and establish the rights of fellows humans and animals in a country that’s rampant with greedy capitalists and religious zealots. This money could go toward helping out people in other countries that are starving, rendered shelterless by the scourge of warfare, and dying from disease that could be treated if the resources were available. The money could educate people about birth control and sanitation, help to establish medical clinics in impoverished nations. It could even go back into our own country to help and assist rather than be used for warfare. When I think about how much money from the public went to putting Obama in office, it makes me cringe. Money is not the root of any evil. It’s all about how it’s used.
I just need to rant for a moment because I get SO many emails asking for money to defend this, support that, fund the other. After a while, I just wanna gurge.
Life in General | Comments Off on I’m Tired of Poli-Economic Warfare!
Week 3 is all about setting up your web site to build your email list and creating two-way communication between your fans and you as an artist or band. This is actually a really short chapter but is going to be the spring-board for a number of other chapters because it starts opening a can of invertebrates, which will become more apparent in the next couple of weeks. You see, I needed to jump ahead in the book because I’d already done a number of the things that the book requests, as I’ll note later, and I’ve known that there were things I needed to do like opening up this blog to really get things rolling on my site. This is also where most of my work has gone into.
Something that is of high importance for other web sites and yours is to maintain a similar look and feel, as well as maintaining similar content and messages. How does a potential fan draw the connection between you here and you there? This was easy for me because it had already been done. “Music for the heart, mind, and spirit” was already my moniker that was on MySpace, Twitter, FaceBook, ReverbNation and everywhere else I’ve created an account, and I’d created a background image for my website long ago that I also used on Twitter and MySpace. I set up a couple quick colour schemes and added other items like photos that exist across all my web presences to make it all cohesive.
Next, I was to make sure my site loaded quickly and had no Flash intro. Well, that was also done years ago. Luckily, I have years of experience working on the internet and I know what works and what doesn’t. I wrote all the code for my initial web site in 2001 (gasp) and it does need an overhaul to bring it up to web standards admittedly, but it was built for performance and ease of use.
Lastly, the part I actually had to put some work into. Ariel wants you to offer a free download to a song as an incentive to sign up on your mailing list. Since I host my own mailing list created by Active Campaign, I had to build this into my site. I decided to offer “Be the Change”, a song that’s on my latest CD, “Between the Lines”, and currently the only song that I have a video for from the new CD. There’s another coming REALLY soon, but more on that later. And so as not to be unfair, if you’re already on my mailing list and don’t have a copy of the CD or that song, email me and I’ll make sure you get a copy.
Dream Journal | Comments Off on Music Success in Nine Weeks: Week 3
I was outside somewhere with a large group of people. We were having fun and I think it had something to do with music. At some point, I looked down and noticed that my forearms were really red and I commented that I’d gotten sunburned. The people closest to me told me that I hadn’t actually gotten sunburned and that I shouldn’t worry about it.
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I was having a conversation with Dallas. He was very alive and very healthy. I knew some time had gone by since he’d been out of the military and in the back of my mind, I wanted to know why he wasn’t dead but I felt it wasn’t appropriate to ask him. He seemed so happy and full of life. We conversed about music and about life in general and it was so good to just be talking with him.
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That sounds like a band name but it’s not. I recall being in Zimbabwe. I was in a village and I was looking for the place that I was to compose music. The people I was with were trying to get me to follow them. I was preoccupied with where I was and investigating the area and observing the people. Someone from the village talked me into following him. He led me by this area where there were mbiras that had been taken apart or in disrepair and no one knew how to fix them. It was kinda sad because I wanted to go look at them but I was being led along.
Suddenly, I was in some sort of giant open flea market, standing at a wall with a young African man. He was asking me what a phrase meant that was carved on a wall. I was telling him that it meant that you always have a choice to do something or not. That choice makes us who we are. Someone walked up too me and told me to come with them. I did. We walked downhill and to the right thru a large causeway and another guy with long blonde hair told me that Jason Mawl wanted to see me. I asked who he was and what he wanted and they told me it was a great opportunity and that I should just go see him. I was led to a room and when I walked into it, I saw a very shiny microphone and a man, tall, heavy set, and bald.
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Two different houses from dreamland co-mingled. The first house was the one that sits on the boulevard but has the enormous acreage in back that looks over rolling hills, creek and the divided up lots with fruit trees. The other was the haunted house with the really creepy second floor. Both of the houses are white, but in the dream, I was talking with a girl about painting a room in another place, and remarking that I had let over purple and magenta paint from another house I’d painted and I knew exactly where it was stored. What I remembered was that at the front of the haunted house was a large closet where I’d stored the paint. But I wasn’t thinking that the house was haunted when I was thinking about the paint. I only made the connection when I woke up.
Then, I was in the boulevard house, in the upper room to the back left, upstairs. There’s a rounding staircase that goes up 3 floors with an atrium ascending up thru the middle. Someone was holding Kevin M. by the ankles, upside down over the atrium.
I was driving my dad’s old Cadillac El Dorado down the street, looking for an address. I knew I didn’t nee to be at this destination for quite a while but I figured I would like for parking early because I was expecting a lot of people. The address was a large building where two street intersected, that resembled a live-in work environment with a large parking lot for tenants. I pulled into the parking lot but couldn’t find guest parking spaces so I drove out. I noticed that there was a building sitting directly on the corner. It was a single apartment with large windows, and open on all four sides. You could see the people that lived there thru the windows and I was thinking that it looked like a fish bowl, living like that. I drove around the block and found a parking space.
Suddenly, I was in a car with Eric R. and someone else. They were driving me past the fishbowl apartment and to a club. They wanted me to hear the music that had on their stereo. When we got to the club, Erik O. was there from work. He was arranging tables or something and there was a huge group of people there. They were doing some sort of karaoke to original songs. This guy got up and started singing this song that I’d never heard. At first I couldn’t decide whether he was any good, but when he hit the chorus, the song really opened up and so did his voice. He was singing something about being skinned and a cross. I remembered the melody and the sound of the chord progression when I woke and recorded it. I couldn’t remember the lyrics tho.
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If you’ve followed my last couple of posts, you’ll know that I’m participating in a contest created by Ariel Hyatt of Ariel Publicity. The second chapter of the book is all about defining who you are as an artist, and the style of music that you do. To help you define yourself, Ariel takes you thru some exercises to help you create “The Perfect Pitch.” This pitch should be something you can use at the drop of a dime when someone asks you about who you sound like, what your music evokes in others, what to expect should someone come to see you perform live, what your CD might sound like. Many have called it an elevator pitch because from the moment you step into an elevator til the time you step out, you should have been able to share you with someone else to the point that they have a somewhat clear understanding of you as an artist. Sounds easy, right? NOT.
Now, I’ve always felt there was value to having a moniker, a one-liner, and something that accompanies the name, “Rhythma”, if not for any other reason than to just inform someone that I’m a musician. So, as many of you probably know, I’ve been using “Music for the heart, mind, and spirit…” for years. I still think this is sufficient for the purpose of adding something to Rhythma for high level clarification. The thing that’s gotten tricky for me is that Ariel’s book wants you to put your perfect pitch on myspace, twitter, facebook, your web site… and I think that there are different pitches for different reasons. My moniker is already on all those sites as well as my business card and has been for a long time. The only thing that’s left me unsettled is that it doesn’t work when someone wants a clearer idea of who I sound like. This is where Ariel’s technique came into play.
She had me break down certain elements of my musical style, influences, and other details, and then combine these elements into the pitch. Then you have to try the pitch on for a while to see how it sticks. If it sticks, then you get another unique addition which is access to her private ning.com group where you can try the pitch out with your peers to see how they react too it. This was helpful too me since I couldn’t come up with just one pitch.
So, all in all, I decided to stay with:
“Music for the heart, mind, and spirit…”
for my overall catch phrase which accompanies my profiles online, my web site, and my business card. It feels right for me. However, when asked to describe my music in the elevator, I’ve settled on:
“If Paul Simon produced Jack Johnson in a studio a Tesla coil.”
Now, if that’s just too obscure for someone or they just stepped off the boat and ask me, “Who is Jack Johnson?”, then I’ll try this:
“Where pop, rock, jazz, folk and hip-hop collide.”
If that doesn’t work, I’ll just tell them I’m the TV repair man and I’m offering year-end discounts right now.
Rhythma Music | Comments Off on Music Success in Nine Weeks: Week 2
I was walking along in a school parking lot when I noticed a really large white Cadillac backing out of a parking space. I looked to see who was driving and I noticed it was my friend David B. I walked up to say hello. His hair was really unusual, even for him. It had grown out and was long and straight, hanging down almost to his shoulders. It was parted down the middle, and one side was bleached white and the other side was dark gray. His wife was in the passenger seat and her hair was gingery, and cut in a similar fashion. They said they were going to a concert and invited me to go. The only caveat was that you had to have your hair parted down the middle. I said I’d like to go but hadn’t had my hair parted down the middle since I was about 14. I looked at myself in the window of the car and tried pushing my hair over and made a mess of it. Was it really worth it? I wasn’t sure.
Dream Journal | Comments Off on The School Parking Lot

As I commented on in a previous post, I’m participating in a contest to get 3 months of dedicated publicity. To win, I must post 9 blog entries taking readers through my experience with the book and blogging about how it is helping, where I’ve learned the most, and where I’m are getting stuck.
The book is “Music Success in Nice Weeks” by Ariel Hyatt. It’s a “step-by-step guide on how to use social media & online tactics to supercharge your PR, build your fan base, and earn money.” Sounds pretty good, eh? 
Week 1: Getting mentally prepared. This chapter wasn’t really about music or social media, but rather to put perspective into the next 8 chapters and help the reader decide on the goals that they want to achieve. I love the way the universe works with this kinda stuff… just a week prior to reading this chapter, I had a conversation with my friend Marilyn Schwader who runs a business and website called, Clarity of Vision. Her business is teaching writers how to market themselves, and she has a free download on her site that outlines the in-depth process if envisioning your long-term goals for your career as a writer, much as Ariel’s book leads you thru exercises to define your goals as a musician. Marilyn’s approach is to create mission objectives, and to define your dream, your purpose, and your values, which in many ways requires you to look at things from a more “spiritual” perspective. Kind of like, “Why are you here in on Earth in the first place and how does that define who you are and why you’re writing?” Ariel’s approach is more practical and calculated. Determine your goals, both short and long-term, not just for your music, but for your money, your family, and your long-term goals for life, and do those in both 12 month and in your lifetime.
I found Ariel’s approach to be a little more complicated because I don’t like thinking about things in terms of goals. For me, my goal is to make it to tomorrow. My goal is to make the right decisions for myself so that I perform well at work, so that I can sing well the next time I perform, so that I remember to to remember my friends so that remain my friends, so that I don’t go too long without calling my mother. In other words, my goals are very practical and rarely extend beyond tomorrow. This is all well and good, but it’s really not the philosophie du jour. Back in the day, Ram Dass was saying “Be Here Now.” Well damn, it took all this effort to learn to pull my head out of the clouds and actually commit to doing the things I was dreaming about, and I’m here, now what? Now I have to make goals? Isn’t this just like putting my head back into the clouds? Well, I’m trying not to think so.
Ariel’s and Marilyns approaches both touch on something a little more woo woo, that is, a little less accepted and sometimes hard to fathom, but never-the-less proven by quantum physics and by modern psychology. It’s around manifesting your reality by defining it. This is so critical to this whole procedure that Ariel put it in chapter one of her book. Marylin would rather you not move forward with her program until you go thru her exercises. These principles are the same that the movie “The Secret” tries to teach it’s audience: Form follows thought. Simple to say, much more difficult grasp. Ariel’s book engages this principle by asking the reader to first adopt of perspective of positive thinking and let go of self criticism and gives some ideas on how to do it. I’m all for that! By insisting that you create goals, she assures you that this it the first step to achieving them. I’m for that too!
I’m not going to tell you what my goals are. By following Ariel’s approach, I expect that over the coming months, you’ll see the results and they’ll speak for themselves. I am pumped because I’m gonna focus on nothing else until I see this plan executed. I expect it’ll be like going to school. You know when the semester’s going to end so it puts a nice frame around things. And this contest is another motivator to get this accomplished in the specified time frame. Actually, I’ve already leaped ahead in the book, that’s why I have this blog in the first place, because chapter 5 made me do it. In the coming weeks, I’ll recap some of the technical things I’ve done to get things up and running for myself, and being that I’m a web professional, I’ll try and do it for both the nubes and the geeks.
Ciao now brown cow.
Rhythma Music | Comments Off on Music Success in Nine Weeks: Week 1
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